Lithographer & potter — working studio
Lithographs
& hand-thrown
vessels from
a working studio
I make prints and pots in a small studio in the city of Regina, Saskatchewan. The work is slow, the editions are small, and everything comes from the same impulse to press something into a surface and see what holds.
Rock impression flowers
Ed. 3/12
01 — Selected Work
=
Untitled Vessel Series
Red Field
Shore Form
Morning Press
02 — In the Studio
About the work
Artist statement
A studio practice
in two parts
The lithography press takes about forty minutes to warm up properly. In that time I usually wedge clay — not because I need to, but because the rhythm of it keeps me from thinking too much about what I’m about to print. Thinking is the enemy of a clean run.
The prints and the pots inform each other more than I expected when I started doing both. The same conversation about surface — what a mark costs, what it gives back — shows up whether I’m working on paper or on a shoulder of a vessel.
The press and the wheel run on the same logic: resistance is how the form reveals itself.
03 — The Journal
